Muyuan Li, who's a much better photographer than I am, told me one day that he wouldn't buy a camera anywhere except in Japan. Well, I was going to Japan that summer, so I asked him for recommendations. He told me that my best bet was the Sony A7C2 with the Sigma 20-200. Indeed, the all-in price of the package in Tokyo was about $500 off the US pricing, and because of the deal I got, I ended up with the Sony 28-60 lens as well. To be honest, however, I should have just bought the package in the US prior to going to Europe and forgone the savings, because the Alps is so much prettier than Japan and when I look at the photos I got out of the Ricoh GR3, I think I should have just had a better camera while I was in Europe.
In the past, I've always avoided super-zooms, since they had a reputation for low image quality. The modern approach (which the Sigma 20-200 uses) is to not worry about distortion and correct it in software rather than trying to make the lens optically perfect. That allows the lens to stay pin sharp. When I got the 20mm I thought that maybe I wouldn't use the wide end that much. I was very wrong. It turns out that the past 10 years, smartphone cameras have defaulted to 24mm equivalent lenses for their main cameras, and 18mm lenses for the wide angle, so we've all been trained to these lens widths for viewing through the world. If anything, I'd say that a 15-150mm would have been a better fit!
As for low light, the Sony A7C2 is outstanding. In the past, I avoided shooting anything worse than about ISO 400 or so on my digital cameras. For the Sony, I've shot at ISO 8000 with results that still look really nice even blown up on a big screen. Yes, if you want that perfect shot you still have to carry a tripod, but to be honest, the reason for switching out all my old gear for the Sony A7C2 is to reduce weight, and this package delivers.The thing I had to get used to is the camera demands much faster storage than the older cameras I used to use, so I had to buy a new SD card to go with it. For still photography it doesn't matter much: the camera has a giant buffer and will happily let you shoot while it writes in the background. But if you shoot a video and then immediately want to shoot a still photo, the camera locks up and refuses to shoot any more photos until it's finished writing. If you're a demanding videographer you'll probably need a V60 card. I bought a SDXC U3 V30 card and it's been more than good enough.
The ergonomics of the camera and lens combo is great. The lens has a zoom lock button that lets you clip the camera to your belt using the Spider Holster kit and while you're walking the zoom will not keep creeping longer and longer until it slams against your knee. Yet, when you're in a hurry, and draw the camera into shooting position and start zooming, the lock button automatically unlocks smoothly and you can just shoot! The dials take some getting used to for a former Canon shooter, but I got used to it fast enough.In short, the A7C2 with the Sigma 20-200 is the package for the active traveler who's not a dedicated photographer. In those cases you want a lightweight package while not compromising on photo quality and you will shoot a lot more pictures if you only have one lens rather than swapping lenses all the time. I still use my Pixel camera for long exposures and in-camera panoramas, because I'm not carrying a tripod. But even in those cases if you can find something to brace the camera against you can get results that are clearly superior to a smartphone's. (Below was a 1.3s exposure, braced against a bridge)






























