Review: The Grand Design

 The Grand Design came recommended by the Amazon Kindle direct mail ad, and it was available at the library so I checked it out and read it. It's an easy to read Physics primer that discusses the difficulty reconciling quantum mechanics and general relativity, and discusses what the evidence for the accuracy of these theories are.

What I enjoyed was how clearly written the descriptions of the weak Anthropic principle and the stronger versions of the Anthropic principles are. In particular, the authors go over how finely tuned the fundamental constants of nature are, and even go so far as to explain why the Universe had to have 3 dimensions instead of 4 or 6 or 10:

If one assumes that a few hundred million years in stable orbit are necessary for planetary life to evolve, the number of space dimensions is also fixed by our existence. That is because, according to the laws of gravity, it is only in three dimensions that stable elliptical orbits are possible. Circular orbits are possible in other dimensions, but those, as Newton feared, are unstable. In any but three dimensions even a small disturbance, such as that produced by the pull of the other planets, would send a planet off its circular orbit and cause it to spiral either into or away from the sun, so we would either burn up or freeze. Also, in more than three dimensions the gravitational force between two bodies would decrease more rapidly than it does in three dimensions. In three dimensions the gravitational force drops to ¼ of its value if one doubles the distance. In four dimensions it would drop to ⅛, in five dimensions it would drop to 1/16 and so on. As a result, in more than three dimensions the sun would not be able to exist in a stable state with its internal pressure balancing the pull of gravity. (kindle loc 1530)

Where the book fails is that it promotes M-theory as the one theory that would unify quantum theory with relativity, but doesn't go into why it's superior to all the other theories. One issue is that it's not a single theory, but a class of overlapping theories that can effectively have constants plugged in to satisfy the constraints of the universe we find ourselves in. The authors pretty much state that scientists have to give up on the idea of our laws of physics all deriving from one fundamental theory that fixes all the constants. That's quite disappointing for those who value elegance in their theories, but of couse, nothing says that our messy universe has to correspond to a model of a simple and elegant fundamental theory.

Review: The Woman Behind the New Deal

 The Woman Behind the New Deal is the biography of Frances Perkins, FDR's Secretary of Labor. I've read biographies of FDR before, and they usually gloss over Frances Perkins, but over time as I've read other historical reports (such as Robert A Caro's biography of Lyndon B Johnson and Robert Moses), I saw references to her over and over again.

It turns out that I'd been missing an important part of the origin of the New Deal, the first woman to serve in the President's Cabinet, and the person to whom he delegated all of the various aspects of the New Deal to. A key scene in the story is where Perkins named all the important aspects of what she wanted to accomplish before she would accept the position to FDR. In fact, she noted that Roosevelt was not a deligent person nor was he attentive to detail, but was indeed a C student:

She disapproved of the tendency at Telluride to select for admission only the boys with the highest academic grades, noting that it is often the C student with strong leadership skills and a good personality who makes a greater mark on the world. “Franklin Roosevelt would never be admitted to a first-class college today,” she said. (kindle loc 6978)

Perkins was extremely religious and also quite unlucky with her personal life, marrying a husband who was promising but who turned out to have a family history of mental illness, and after an initial setback in his career never came out of his depression and ended up in one institution after another, leaving her to be a single mom to take care of their only daughter. In that time, mental illness was considered shameful, but society also disapproved of working mothers, so she had to hide a lot of what she was doing. In the ultimate repudiation of her, her own daughter never gave her the respect she deserved, despite Perkins sacrificing so much of her own well being (Perkins herself worked until the day she died, and her family was not present when she passed away):

None of the children were ever told about Frances’s benevolence while Susanna was alive. In fact, they recalled, Susanna generally ridiculed her mother, as she did many people who worked for a living. Frances had spent her life laboring on behalf of America’s workers and had produced a child of the leisure class, more ornamental than useful, who felt contempt for people who worked for a living. (kindle loc 7106)

 Nevertheless, Perkins achieved a great deal. She introduced worker's comp, the 40 hour work week with mandatory overtime, unemployment insurance, and social security. Her next target would have been universal healthcare, but the war got in the way. What a different America we would have lived in if her agenda had been completely achieved. She turned the labor department's statistics department into what it was before Trump decided to start firing bearers of bad news:

Lubin turned the bureau into a respected source of economic statistics. He quickly improved the country’s system for gathering employment and wage statistics, and put systems in place to minimize political pressure to show positive results. For the first time, the federal government tracked hourly earnings and average weekly hours by industry. Lubin also modernized the cost-of-living index. One component in the outdated index was the price of high-button shoes, still included long after people had stopped wearing them. The BLS also tracked productivity, an important gauge of business modernization trends, and it made separate forecasts of growth in different occupations in order to steer workers to new industries. (kindle loc 2627)

Not only was she progressive about worker's rights, she was the first to recognize the threat of Hitler, and did everything in her power to help German jews escape the regieme.  This was despite the prevailing sentiment against immigration:

Frances knew restrictive policies were politically popular. “It is generally recognized that the United States can no longer absorb annually hundreds of thousands of immigrants without serious economic and social dislocations,” she wrote. “Certainly the present restrictions can not be relaxed while millions of workers are unemployed and maintained at public expense.”12 In fact, Frances had to spend much time reassuring disbelieving citizens that immigration had indeed been curtailed. Many refused to believe government statistics, and they circulated reports alleging that 1 million foreign sailors jumped ship in the United States each year, or that five hundred thousand Mexicans strolled across the border in the previous decade. In her annual report in 1935, Frances blasted these accounts as “fantastic exaggerations.” (kindle loc 3488)

Reading this book, you really see the parallels between the current political climate and the what happened in the 1930s and 40s. There was never a time when America's population was positive disposed towards more immigration, and even back then misinformation was still very much prevelant. I'm continually surprised when progressives refuse to admit that immigration is very much in tension with progressive objectives despite that long history. (Think about it: the rest of the world is generally much more conservative than American progressives --- importing a lot of immigrants will not result in a population that's willing to support progressive objectives!)

In any case, this was a book very much worth reading. If you're a feminist, progressive, or student of history you owe it to yourself to read this.

Review: Broken Stars

 Broken Stars is a collection of contemporary science fiction stories, selected and edited by Ken Liu, who's translated many science fiction authors including "The Three Body Problem." I picked it up because it's far faster for me to read English than for me to read Chinese, and obviously I'm not very in touch with Chinese science fiction (or any other contemporary Chinese fiction for that matter)

A lot of the stories in this volume aren't basically science fiction. They're effectively fantasy exercises (including one where a time traveler travels back in time and reinvents the internet), without the rigor of science fiction that I normally expect from my preferred science fiction authors like Alastair Reynolds. Even someone like Iain M Banks (whose Culture novels are set at such a high tech level as to seem magical) do pay attention to the plausibility of many details.

What you do get out of many of these stories is an appreciation of Chinese history. Lots of events in contemporary and past Chinese history is placed in context and you can see how the authors felt about those events. There's just not any "hard" science fiction or even cyberpunk in this collection.

On reflection maybe I shouldn't be surprised. China's demand for tech talent and work environment that probably a heavy STEM engineer or scientist wouldn't have time to write, so the folks writing science fiction in China come from the literary sector and won't be deeply immersed in the science.

At the back of the book is a couple of essays about the state of science fiction in China. This would be informative, but obviously the book was edited prior to the major scandal about WorldCon in China in 2024, where the voting was rigged. It seems like science fiction in China cannot be separated from the governing environment the country is in.

Review: Genius Makers

 Genius Makers is a biography/chronicle of Geoff Hinton and a number of his students, starting from Hinton's entry into the AI field until the night him and two other students won the Turing award.

The book is well written but spotty, with too many characters towards the end of the book showing up and being given barely enough time for you to fully comprehend what's happening. I thoroughly enjoyed to story about how Geoff Hinton, driven by his wife's dislike of living in the USA when Ronald Reagan was president, ended up at the University of Toronto:

At the height of the revival in neural network research, Hinton left Carnegie Mellon for a professorship at the University of Toronto. A few years after this move, as he struggled to find new funding for his research, he wondered if he had made the right decision. “I should have gone to Berkeley,” he told his wife. “Berkeley?” his wife said. “I would have gone to Berkeley.” “But you said you wouldn’t live in the U.S.” “That’s not the U.S. It’s California.” (kindle loc 751)

I left Google at 2010, which was when Google started gobbling up AI talent (including Hinton and his students) at a rapid pace and integrating it into many areas of the company. Google at that time also left China because the Chinese government hacked Google (true story --- I know the people behind the detection). Despite that, Google still thought it could come back into China after Deep Mind became the #1 go player in the world, with Eric Schmidt giving a patronizing talk about Chinese AI:

 China’s tech giants had already embraced deep learning. Andrew Ng had been building labs at Baidu for years, and, like Google, he was erecting a vast network of specialized machines to feed new experiments. Similar work was brewing at Tencent. In any case, even if it did need Google’s help, China was unwilling to take it. The government, after all, had blacked out the match in Wuzhen. It did not take long for Schmidt to realize just how naïve his message had been. “I knew when I gave the speech that the Chinese were coming. I did not understand at the time how totally effective some of their programs would be,” he says. “I honestly just didn’t understand. I think most Americans wouldn’t understand. I’m not going to misunderstand in the future.” (kindle loc 3109)

What was real obvious to outside observers (i.e., anyone with an ounce of common sense) was that the Chinese government would never let a Western company have any significant market share in the country. That Western companies one after another fell into the trap and did a ton of technology transfers to China for free at their own expense just tells you how short-sighted and badly run most Western companies are.

Another thing that comes through in this book was how one top executive (Andrew Ng, Qin Lu) after another with ties to China actually moved back to China or took top jobs at Chinese companies and helped with that technology transfer. Of course, much of this happened before the current cold war between the USA and China, but it's still pretty amazing to watch.

A lot of people I knew from my Google (or even pre-Google) days show up in this book (e.g., Jeff Dean). The depictions are sort of accurate so I do find most of the book believable. The book was written in 2021, so pre-dated the era when ChatGPT took the world by storm. Nevertheless, for an understanding of the history of neural networks and deep learning, this is a book well worth your time.

Review: Human Compatible

 I took my one and only AI class from Stuart Russell, who wrote Human Compatible. Written in 2019, this book predated OpenAI's ChatGPT and the LLM revolution, but nevertheless anticipated many modern concerns about the rise of AI. It addresses concerns such as the paperclip apocalypse with a critique of current AI approaches to problem solving.

Fundamentally, Russell's critique of the current AI approach is that the systems that are designed have an explicit goal and 100% certainty about their goals. This is appropriate if the AI system is incompetent and sucky, but will lead to bad outcomes if the system is superior in intelligence to humans and can prevent humans from interfering with its goals by turning it off.

The solution, Russell claims, is for the AI system's goals to be to be to assist the human's goals and to infer those goals from the human's statements and behavior. The inherent uncertainty about human goals will force the AI system to ask questions, and allow itself to be turned off if necessary. There's excellent analysis as why this is and why this is rational even in the case of super-intelligence.

The solution is elegant, interesting, and obviously unenforceable --- all it takes is one bad actor with super-intelligence to deviate from this principle and we'll be back at the paperclip apocalypse again. On the other hand, we're probably very far from being able to encode this sort of thinking into an AI system, so obviously this has no direct impact on current research.

Nevertheless, it's a great book that's well written and has an intelligent solution to what's widely perceived as a common problem. Recommended.

Review: Katabasis

 I have to applaud R. F. Kuang's PR team. Within the same week, I got 3 magazines in my mailbox with a profile of her: The New Yorker, The Atlantic, and Outside Magazine (!!). This was all done in coordination with the launch of her new book, Katabasis.

R. F. Kuang's superpower is skating to where public attention will be. Yellowface, for instance was about cultural misappropriation, and Katabasis is about graduate school (and University as well) as hell, timed to coincide with the decline of public support of elite Universities. Set in Cambridge (keep in mind that Kuang despite having 4 degrees is going for yet another PhD, so she's spent essentially all her life in one school or another), the universe of Katabasis is an alternate world in which magic and the study of it is a defined rigorous subject in academia, and the protagonist, Alice Law, is a graduate student under a demanding supervising professor. When that supervisor dies in a research accident, she decides the only thing to do is to go to hell and retrieve him. The other student Professor Grimes supervises also decides to join her.

This is by far the weakest link in the story. The cost of visiting hell is high (half your remaining life), and while Alice Law might have had sufficient motiviation to recover Grimes (her hatred for him is revealed later in the book), the after-recovery plan stinks and makes no sense. In fact, this aspect of the book smells a bit like an autobiography, complete with R. F. Kuang's in-real-life husband (who does suffer from a similarly dehibilitating condition) playing the role of Peter Murdoch.

The depiction of hell is kinda bland and boring. That's probably because no matter how Kuang tries to depict it, academia isn't actually hellish. Think about it: people willingly give up additional 4-6 years of their lives at low pay for a chance to get a tenure track position. If it was truly hell, you would have to pay more to get less talented people, but many of the brightest people in the world sacrifice so much to live their lives at University, and as one of my academic friends once said, "Being a tenured professor means you get to work on whatever you want which is like being retired already."

As a fantasy novel, I'm not sure Katabasis works. The problem with writers who come from out of genre to write fantasy and science fiction, is that they tend to write magic as a form of deus ex machina. There are no rules, anything goes, and so whatever happens in the novel is whatever the author can think up. This is fine if you're telling a bedtime story to a 3 or 5 year old. In a full length novel, what happens is that the reader feels that the author is unfair and there was no way for you to have seen the ending coming (especially since in this case the ending comes in the form of a gift from a character Alice Law betrayed!).

The way to predict the novel's ending, of course, is through meta-cognition --- you knew that R. F. Kuang married her husband, so the ending must involve Alice Law rescuing Peter Murdoch and them getting to live happily ever after. I guess that's why Kuang's PR team landed all those profiles of her in various magazines --- so you might not come away after reading the book feeling cheated.

Review: Empire of Pain

 Empire of Pain is the history of the Sackler family. This is the family responsible for the opioid epidemic in the USA, killing lots of Americans and contributing to the recent decline in life expectancy in the country. 

What I didn't realize was that the Sacklers were also responsible for Valium, which was also marketed widely. (Arthur Slacker, the patriarch of the family was one of the first people to market medicines directly to doctors, and pioneered the use of drug company representatives who visit physician offices one at a time over time in order to get the doctors to write more prescriptions for the drug)

This made the family rich, and they used that wealth to start collecting art and getting their names into museums. The family also owned a variety of other firms, one notably called IMS, that tracked where prescriptions were being filled, granting valuable information about which regions of the country are buying which drugs. They also owned a notable medical journal, which also served as placement venues for their ads budget.

This complex web of businesses was a design, and the three Sackler brothers (and their spouses) were in on it. In order to avoid the appearance of improprietary, ownership of the various companies were split, occasionally given to various close friends of the family so that Arthur Sackler wouldn't been seen as serving himself.

When the family bought Purdue Pharmaceuticals, they started with making MS Contin, a slow release morphine pill that could be swallowed. This was as opposed to injected morphine, allowing those in hospice care to go home and self medicate. Of course, morphine has a negative reputation, and doctors would think twice before prescribing it. They would then come up with Oxycontin, which is a similar slow release form of Oxycodone, which apparently is an even more powerful opiate but which doctors didn't associate with addiction because its previous formulations was in very low dose and weak forms.

The book is exhaustive in its documentation about the tenuousness of the entire FDA approval process. Apparently, the FDA official in charge was bribed with a future consulting job at Purdue Pharmaceuticals, and he allowed all sorts of wild claims that were not substantiated in the literature accompanying the drug. At the same time, the company promoted up other non-evidence-based claims that the slow release nature of the pill would mean that the drug was not addictive.

The most frustrating bit about the book, of course, is that there's no happy ending. The Sacklers get away (by hiring very good lawyers) with their wealth intact, while leaving tax payers holding the bag for all the drug rehab centers and loss of lives. The book implies but doesn't provide evidence that the judge handling the bankruptcy case was on the take from the Sacklers --- he retired after he finished handling the case.

The only bright spot in the ending is that one of the activists managed to get the Sackler name removed from many of the donated buildings and wings of various famous places (including the New York Met, Tufts' medical school), and the Sacklers are no longer held in high esteem amongst the society they like to hang out with. There's pretty slim consolation for any who lost loved ones to the opioid epidemic though.

It's a depressing book, but everyone should read it.

Review: Arrowsmith

 After admiring Carlos Pacheco's work on Superman, I decided to look for more of his work, and came across Arrowsmith, which comes in two volumes: So Smart In Their Fine Uniforms, and Behind Enemy Lines. Since Pacheco is now dead and the second book ends in a bit of a cliffhanger, you have to be OK with the story probably never getting finished.

The world is a fantasy version of the state of the planet during World War 1, complete with trolls, dragons, and wizards and magic spells substituting for the technology. In this world, history is quite a bit different (there's an appendix in volume one where a writer friend of Kurt Busiek fills in the background behind the world).

The art is the highlight of both volumes. Pacheco's art is gorgeous, and makes you really believe the world exists. The story is a bit of a cliche --- it's the loss of innocence that happened in World War 1 but transplanted into this fantasy milieu. Sure, maybe that's some plot about the trolls being the bridge to the sunlit lands or to the seelie court, but to be honest Busiek breaks no new ground here in the story. As a vehicle for beautiful art though I cannot fault the setting or the way the story takes you through a mythic version of a Europe that might have been, seen from the point of view of an starry eyed American would-be-hero.

The story is short and obviously unfinished, so we never see how the world of Arrowsmith lives up to its potential. But it was very much worth my time checking it out from the library.

Review: AstroCity Metro Book Vol 6

 I never got around to buying/reading the last few AstroCity collections, and it turned out that they're now all available on Hoopa as part of the Metro Book collections, so I checked out the final volume. The framing story is that of a mysterious blue-skinned character known as the Broken Man. It turns out that he's the last of a series of historical supernatural characters that embody music. This gives Busiek a chance to explore the history of Astro City and its previous incarnations.

Unlike the first few AstroCity volumes, which focus on the mundane characters living in AstroCity, this one is truly focused on the superheroes. What I like about the heroes is that these are all really quirky characters. One is literally the figment of his daughter's imagination (unfortunately, I got exposed to the same idea in Kurt Busiek's Creature of the Night). Another is an amulet that confers the power of a bonded animal with the human it's attuned to. This one was fun, because the amulet got bonded with a Corgi puppy. The result was hilarious (imagine a superhero being told how adorable and cute he is after saving the day).

One great mundane story was a follow up to a story told in the first volume of Astro City where a man lost his wife as a result of a time changing battle between heroes and a volume, and as a result his wife never existed. In that story, he was given the choice to forget her and absorb himself into his new timeline or to remember both time lines. In this story, we see the followup consequences of that. It was a great story.

I enjoyed the book. It kinda ends tentatively --- we never see what happens to the Broken Man. I get the impression Busiek abandoned Astro City because his other contracts were more lucrative. It's a unique universe, however, so I hope he comes back to it.

Reiew: The Molecule of More

 The Molecule of More is a book length exposition of Dopamine. There's plenty of exposition about Dopamine's role in well known human syndromes such as addiction, but this book managed to explain it in a clear and interesting fashion without boring me, which I thought made it an excellent book to read as a review of what I'd already learned in previous books.

The long and short of the book is that Dopamine is the molecule exuded by your brain when there's a positive prediction error. In other words when something is a lot more pleasant or pleasurable than you expected. This leads you to do more of whatever the action you took until that positive prediction error goes away, which of course is pretty fast in the case of typical substances like food or drink.

When it comes to addictive substances like drugs (alcohol, cocaine, or sometimes even video games), however, this prediction error can turn you into an addict. In those circumstances, what medical practice can do is to try to heighten the pleasure you get from the H&N ("here and now") molecules which your body uses to direct pleasure at what you currently have as opposed to anticipatory pleasure that dopamine provides. Disappointingly enough, the book doesn't go into very much detail about how H&N molecules work.

The book then expands on this principle to describe how certain people who have heightened dopamine receptors can never be unhappy no matter how much they have. This explains why certain driven people keep focusing on achievements no matter what they've achieved, and why Mick Jagger never settled down with a single woman and just kept looking for more.

Some of the book is clearly speculative, for instance, the section speculating on how immigrants tend to have more dopamine receptors. Many of the book's points are told in the form of stories about an individual that feel compelling.

I enjoyed this book and can recommend it.

Review: Batman - Creature of the Night

 After reading Superman - Secret Identity, I discovered that Kurt Busiek wrote the Batman equivalent called Creature of the Night which showed up in 2020. So of course I checked it out of the library via Hoopla and read it.

Just like the other graphic novel, this one is set in a world where DC Comics exist, and everyone knows that Bruce Wayne is Batman. In fact, growing up, Bruce Wainwright loved Batman and made sure everyone knew about it, even calling a family friend Alfred.

When Wainwright's parents are killed, he gets distraught and somehow a Batman appears to help him out. Over the rest of the graphic novel, we get exposition about the nature of this Batman (which is nothing like the conventional Batman comics) and then we deal with how the real world differs from the easy answers of the Batman comics.

The story falls strictly into the fantasy category. There is no explanation for the Batman that makes sense (unlike even in the official DC comics), though there's some bizarre explanation in the narrative that's unsatisfying to me. There's no deep exploration of Bruce's psyche, and there's no long journey where Bruce gets any ephiphanies. That makes this book a weaker work than Secret Identity, but it was worth reading for a unique take on Batman.

Review: Superman - Secret Identity

 Somehow I'd missed that Kurt Busiek wrote a Superman story called Secret identity. Well, of course I had to go and check it out from Hoopla. The story is set on Earth Prime (or rather, our Earth, where no superheroes exist). On Earth Prime, DC Comics continue to publish superhero comics, so everyone knows that Clark Kent is Superman. Except, in this universe Clark Kent was just the cruel joke played on him by his parents, who figured why not subject their kids to the worst bullying possible by naming him Clark when they live in Picketsville, Kansas.

Much like the story in Invincible, Clark Kent has a normal childhood and grows up having broken bones just like any other kid. But in high school, his powers manifest one day, and he discovers that he's Superman! Unlike other Superman stories there are no Lex Luthors or other Super-Villains. (There is a Lois, but not Lois Lane) He works as a writer, but not as a reporter for a newspaper. (It's The New Yorker)

The challenges this version of Superman gets are of course, the government trying to capture him and subject him to experiments and so forth. (Why governments are never sensible can probably be a PhD thesis on Earth Prime) Strangely enough, this Superman can get his blood drawn and so on. We see him fall in love, get married, have kids, and even retire.

As Superman stories go, this is a pretty down to earth, easy to read, and short story. We never get to see where his powers come from, or whether he truly was adopted. There are lots of loose ends. But beyond that it's a pretty reasonable story but not quite up to par with Busiek's AstroCity work.

Review: Good Omens Graphic Novel

 I will confess that I've always bounced off Terry Prachett's work. Disc World, you name it, I can't read more than a few pages before I'm tired of it. Good Omens (the novel) was no exception. But a year or so ago Bowen and Boen got into watching the TV show, and I found that I enjoyed it. I guess I liked the plot, it was always Terry Prachett's writing that left me cold.

Colleen Doran announced that she was doing a graphic novel adaptation of Good Omens. It was a kickstarter project, and I backed it before the allegations about Neil Gaiman was announced. In any case, it wouldn't have felt fair to knock Colleen Doran for associating with Gaiman. The graphic novel took a year or so to deliver, and I'd even forgotten about it by the time it showed up in the mail.

It's a testament to how far Gaiman's star has fallen that his name wasn't even on the title page to the book, though it showed up in the interior splash page. The art is great, as you can expect from Doran, but you can tell that the comic was adapted from a (very wordy) novel. There are several places where a traditional comic book author would tell the story in pictures rather than huge blocks of text that were probably lifted from the novel proper.

Where the comic differs from the TV show, it was clear that the show was the one that deviated from the novel. The novel does the usual Gaiman schtick of setting up for a great battle and then having it be defused with an anticlimax (the TV show doesn't shy away from that schtick). The graphic novel adds enough color (literally) and distraction that the Terry Prachett prose didn't bother me at all.

What can I say? A comic book that lets me read a novel that I've bounced off. That makes it recommended.

Review: Beguilement

 Amazon showed me that Beguilement was for sale for $2. The library didn't have it in electronic format and I found myself thinking: "Wait, a Lois Bujold series I haven't read?" And I bought it and read it in 3 days or so.

This story is a romance (a lot of Bujold's stories are romances), about the meeting of Dag and Fawn. The world they're in has a lake and Dag belongs to the Lakewalkers, a semi-militarized group of patrols whose job is to seek out "malices" (essentially evil spirits) that occasionally wake up and take over mammals or humans and start attempting to take over the world.

The story starts with Dag rescuing Fawn from one of the local malice's minions, and through a series of mishaps and misadventures Fawn ends up killing the malice. They fall in love and the rest of the story in-clues you into the milieu through their integrating their disparate lives together, and demonstrating what the major superpower the patrollers have (called "groundsense") are.

The characters are great (Lois Bujold's characters always are). They're not as well formed as Miles Vorkosigan was, but they're relatable and Bujold's writing always makes you care about them. This being the first of a 4-part series, the world isn't as fully fleshed out but you get some hints of what should be upcoming reveals --- Bujold always plays fair in that anything that she reveals probably got some useful hints earlier on in the narrative. That's what made her such a good SF writer, and that rigor carries over nicely to her fantasy fiction.

Even mediocre Bujold is good reading. Contrasting her writing with Murakami makes me feel that the world is unfair. In a more just world, Bujold would get just as much attention from mainstream outlets as Murakami's novels get.

Review: Play Nice

 Play Nice is Jason Schreier's corporate history of Blizzard Entertainment. Written in a breathless manner that befits its subject, the book is fast paced and covers Blizzard from its origins as a 2 person startup to a corporation that was sold first to Davidson & Associates, then to Vivendi, then to Activision, and finally the sale to Microsoft.

For those of us who got their careers in Silicon Valley, this book is a reminder that the entertainment industry, particularly video game companies outside Silicon Valley, doesn't believe in sharing the wealth. Other than the two founders, the initial employees at Blizzard never got stock options or any other form of equity, so when Blizzard was first sold, only its founders got wealthy. This story repeated itself until the sale to Activision, whereupon some staff (not all) got some sort of profit sharing bonuses, but even that was computed in an opaque fashion. It's no wonder that game industry veterans are frequently so bitter.

The book does mention people I actually met (e.g., Pat Wyatt, one of the early engineers at Blizzard). Wyatt was actually as good a programmer as his reputation, though Warcraft (and later Diablo) had its share of bad code. Nevertheless, I remember Wyatt walking me through Warcraft's two player code over the phone and talking me through inserting an IP layer into it --- it was a very productive session.

The book does cover the various sexual harassment scandals that ultimately caused the Blizzard sale. It places it in context, noting that many various events could also be attributed to Blizzard's fast and loose culture and very young staff. It also covered the go-go years at Blizzard, when it could seemingly do no wrong, from Warcraft II to Starcraft to World of Warcraft, it seemed as though Blizzard's every product was a big success.

To the extent that the book has villains, its mostly corporate managers who had no passion for video games and themselves could never sit down and play video games or take it seriously as a hobby. The book attributes Blizzard's success to its own employees being enthusiastic games who would provide feedback and polish the product rather than release it early to make a fast buck. Taking down Diablo III's auction house, for instance, was also an unusual move for a company to actively delete a way of monetizing the product in favor of making the game actually better for players.

Of course, such dedication to product quality is very hard in a world where "enshittification" is the rule. Whether Blizzard continues to make good games after its acquisition by Microsoft is very much in doubt. I enjoyed the book and found it entertaining. Well worth your time.

Review: 1Q84

 I previously bounced off 1Q84, but after reading about Harukami talking about it about his first attempt at a really long novel (over 1000 pages!) I decided to give it a chance and this time it stuck. I've complained about Norweigian Wood not feeling very Japanese because of all its literary and musical references. However, 1Q84 struck me as being very Japanese despite having similar literary and musical references to Western music and media.

1Q84 strikes me as being in the same sensibility as Weathering With You or Your Name. Both Japanese movies have male and female protagonists who are separated in time or space, and who live in an alternate world/timeline where fantastical events/circumstances can happen. As with those movies, there's no explanation, no rationality for why these fantastical elements exist, but it does, and the connection between the protagonists are very light, almost to the point of randomness.

Aomame is a female assassin (one who is dispatched to silently kill men who abuse women). Tengo is a cram school math teacher who's trying to write a novel on the side. The link between them was that they went to elementary school together, and Tengo showed Aomame kindness at one point in 5th grade.

The plot starts when Aomame discovers that the world she's living in is subtly shifted from what she's grown up with --- the police are carrying different weapons, there's discussion about a moon base, and intriguingly, there are two moons in the sky, but she appears to be the only one who sees the second moon.

The chapters in the novel alternate between Aomame and Tengo, though in the last 3rd of the book a 3rd viewpoint is introduced. We gradually see the two threads come together. The pace of the book is slow, and especially in the last 3rd, you wonder if Harukami is deliberately prolonging the book as though he's getting paid by the word. Most of the supernatural stuff is unexplained --- you're just asked to accept it. The characters' resolutions are satisfying, though the 3rd viewpoint near the end of the book seems superfluous.

I read the book to the end, and to be fair the resolution of the alternate world hypothesis was strongly hinted at all through the novel, and you come to the end of the novel and are not surprised by the ending and thinking that it was an unfair mystery. The book definitely could have been much tighter edited and a lot of the extraneous stuff felt more or less superfluous, or "inefficient" as Harukami would describe in his essays.

Still, any 1000 page novel that can get me to finish it in a couple of weeks is probably of above average quality.

Review: Novelist as a Vocation

 I enjoyed Norwegian Wood enough to check out what Haruki Murakami thought about his career as a novelist. Novelist as a Vocation is an original, unique work on the topic. Murakami is humble enough not to prescribe his working style to anyone else, and his unique life means that he has a lot to offer in his thoughts.

The early essays focus on his start as a novelist, and how one day he decided to write a novel, hand-wrote a manuscript over a few months, and then decided it was trash. He then gave up pen and paper and got out a typewriter and rewrote the story in English, not his native language. He claimed that this experience forced him to use simplified language and short words, and after he was done he translated the chapter(s) into Japanese and finished the novel that way, winning a literary price. What a unique experience and insight! By the way, this probably explains why Norwegian Wood didn't feel very much like a Japanese novel. The guy is completely steeped in Western literature, music, and even culture!

His thinking about writing a novel is that a novel is a uniquely inefficient way to get a message across:

Someone whose message is clearly formed has no need to go through the many steps it would take to transpose that message into a story. All he has to do is put it directly into words—it’s much faster and can be easily communicated to an audience. A message or concept that might take six months to turn into a novel can thus be fully developed in a mere three days. Or in ten minutes, if the writer has a microphone and can spit it out as it comes to him. Quick thinkers are capable of that kind of thing. The listener will slap his knee and marvel, “Why didn’t I think of that?!” In the final analysis, that’s what being smart is really all about. (kindle loc 225)

I love that rather than the moaning and groaning about how hard writing is, he talks about how writing was never hard for him. He basically works on the side as a translator of English books, and only writes when the urge consumes him:

 I never write unless I really want to, unless the desire to write is overwhelming. When I feel that desire, I sit down and set to work. When I don’t feel it, I usually turn to translating from English. Since translation is essentially a technical operation, I can pursue it on a daily basis, quite separate from my creative desire; yet at the same time it is a good way to hone my writing skills—were I not a translator, I’m sure I would have found another related pursuit. If I am in the mood, I may also turn to writing essays. “What the heck,” I defiantly tell myself as I peck away at those other projects. “Not writing novels isn’t going to kill me.” (kindle 956)

There are some interesting things that betray Murakami's protestations about his character. Early on in the book he has an entire chapter devoted to how he was glad he didn't win this prestigious prize for upcoming new writers. Later, he writes about how the Japanese criticism of his work led him to leave Japan to write Norwegian Wood so that he didn't have to listen to the critics while he was writing. Clearly the guy is much more sensitive to criticism than he lets on.

I love that his writing habits is to do a certain number of pages a day, and then stop. No more and no less. He also has a devotion to physical fitness, having run an hour a day for almost his entire working life. This of course disturbs the common image of a writer:

I have the sense that no one is hoping that a writer lives in a quiet suburb, lives a healthy early-to-bed-early-to-rise lifestyle, goes jogging without fail every day, likes to make healthful vegetable salads, and holes up in his study for a set period every day to work. I have the anxious sense that all I’m doing is throwing a damper on people’s sense of the romantic. (kindle loc 1624)

Finally there's a great implicit criticism of Japanese academic approach to schools and teaching. Murakmi always refers to himself as being a mediocre student who effectively dropped out of school (he did finish his degree but over a period of years) to start a Jazz cafe. His criticism of Japanese schools will give you much to think about if you were to apply it to the Bay Area parenting hothouse culture:

There were lots of kids who had better grades on English tests than me, but as far as I could tell, none of them could read a book in English from cover to cover. Yet I could easily plow through an entire book. Then why were my grades in English class so mediocre? The conclusion I came to was that the goal of English classes in Japanese high schools was not to get students to use actual, living English. Then what was the goal? There was only one: for students to get high marks on the English section of the college entrance exams. At least for the teachers in the public high school I attended, being able to read books in English or have ordinary conversations with foreigners was beside the point... This goes beyond English, or the study of foreign languages. I can’t help thinking that in almost every subject, Japan’s educational system fundamentally fails to consider how to motivate each individual to improve their potential. Even now the system seems intent on going by the book to cram in facts and teach test-taking techniques. And teachers and parents live and die by how many of their students and children get into various universities. It’s all kind of sad. When I was in school my parents and teachers always warned me, “You’ve got to study as hard as you can while you’re in school. Otherwise when you grow up you’ll regret not having studied more when you were young.” But after I left school I never thought that, not even once. For me it was more regret that I hadn’t done more things I enjoyed doing. Being forced to do that kind of rote memorization, I felt, wasted my life. (kindle loc 1774-1798)

All in all, the book is short, but full of stuff worth reading. I certainly found it more enlightening or maybe even enjoyable than his fiction!

 

Review: Norwegian Wood

 I will confess to having bounced off prior attempts to read Haruki Murakami books, but hope springs eternal, so somehow Norwegian Wood found its way into my library queue and this time I actually read it.

Of all the Japanese novels I've read, this one feels the least Japanese. Other novels, I've read, for instance, would make references to Japanese books not available in English translation, but darn near every music/pop culture reference to this book refers to English music or American music, and nearly every book reference is steeped in English or American literature.

The book revolves around a young man who starts college a couple of years after one of his best friends commits suicide. The book has a lot of people committing suicide, making me wonder how come Japan's subways were so packed in the 1970s. Besides the aboved mentioned best friend, the best friend's girlfriend, the protagnist's new best friend's girlfriend and quite possibly another person I'd forgotten about also commit suicide.

The book's theme isn't suicide, however. It's about relationships. Again, the point of view character lives a pretty unbelievable life, but maybe college was cheap in the 1960s. Apparently despite being from a family that's not rich, he pays for his expenses solely with a part time job at a record store, and never has to be accountable to his parents, so he would skip out on classes and go on trips, etc., and still has plenty of money to go on dates, buy drinks and bullet train tickets, etc. I guess when you write fiction you don't have to be realistic.

In any case, the point of view character makes all the dumb mistakes a young adult male can make. I won't fault the author for those --- as a former young adult male I made many of the same mistakes, though not with the same wild profligarate spending (not being rich) and not having the kind of major that would have no consequences if I skipped out on them for weeks at a time.

In the end, the author makes the correct decision, but not before making a lot of questionable ones. I'm not sure I learned a lot about Japanese culture from this novel, but the novel must have rung a lot of resonances because it was apparently very popular both in Japan and elsewhere.

Review: Supergirl - Woman of Tomorrow

 No, I still haven't seen the new Superman movie yet (I'll wait to see it in streaming video), but I read enough James Gunn interviews that when he mentioned that he fast-tracked Supergirl because it had a great script based on Woman of Tomorrow, I checked it out of the library despite my not liking Tom King's work in previous comics.

I still don't like Tom King's work. To be fair, when writing about any of the Super-characters, it's a difficult job since they have so many powers and are rarely in any real danger, even ignoring the meta-narrative that a comic book series can never kill off its title character. What I don't like about his work is that he doesn't have a good understanding of visual story-telling, so his writing has a lot of excessive verbiage even when the illustrations could do a far better job of telling the story than his mediocre writing.

In this particular story, King decides to use the device of having a non-super character narrate the story. The narrator has a particularly verbose style (though I suspect it's because King doesn't have the discipline to write a tight story), and Supergirl somehow takes a liking to her and takes her on several adventures. She does get put in real danger and the setup is stupid (Supergirl visits a planet under a red sun for her birthday so she can feel vulnerable). There are a few interesting situations (a green sun that makes Supergirl vulnerable, kryptonite weapons, etc), and we get to see Krypto and Super-horse (!!).

The device doesn't quite work, and while we get a glimpse of how super Supergirl is, I suspect the movie based on this story will have to be highly modified for it to be anything resembling a "terrific" script. This will be one of those few stories where the movie has got to be better than the book because the book is so bad!

Review: Everything is Tuberculosis

 Everything is Tuberculosis got great reviews from everyone so I checked it out of the library to read it. The author, John Green, wrote The Fault in Our Stars, which was a famous novel which got made into a movie, and it shows that his passion isn't in non-fiction or science, but in drama and people.

Tuberculosis has frequently been described as "Ebola with Wings." It's well deserved, and has killed a more people than any other disease in history. However, it's also eminently curable with today's antibiotics. Except what has happened is that a lot of patients who got the antibiotics would stop taking them once they felt better, which led to the rise of antibiotic resistant strains of the virus. That resulted in the rise of direct observed therapy in 3rd world countries to assuage first world donors' concerns.

John Green observed "a 2007 study found that Africans were more likely to adhere to HIV/AIDS treatment regimens than North Americans." (kindle loc 2085). Again, that had nothing to do with Tuberculosis, since as far as I know, there haven't arisen versions of HIV that have become multi-drug resistant.

The book is full of such frustrating statements where you would draw the wrong conclusions if you'd taken what Green wrote at face value. I cannot tell whether Green is making arguments in bad faith, or whether he truly doesn't understand the epidemiology. I appreciate his repeated sentiment that Tuberculosis is curable and no one has to die of it today, it's just that health infrastructure isn't equitably distributed. But that problem cannot be solved through technology, but has to be solved through politics.

I thought the amount of attention given to this book would probably be better devoted to a book written by a scientist, doctor, or epidemiologist. But hey, any attention is better than no attention to such a dreaded and horrible disease.