There, we showed the booking.com offering to the receptionist, who called her manager who immediately said: "Of course. We give them a discount for not using booking.com and showing up in person instead so we don't pay commission!" Our room was actually ready for us by the time we unloaded the bike and parked the bikes. We asked about the half pension but it seemed really expensive so we decided we would order a la carte instead.
Tuesday, September 09, 2025
July 2: Bergun to Lenzerheide
There, we showed the booking.com offering to the receptionist, who called her manager who immediately said: "Of course. We give them a discount for not using booking.com and showing up in person instead so we don't pay commission!" Our room was actually ready for us by the time we unloaded the bike and parked the bikes. We asked about the half pension but it seemed really expensive so we decided we would order a la carte instead.
Monday, September 08, 2025
Review: 1Q84
I previously bounced off 1Q84, but after reading about Harukami talking about it about his first attempt at a really long novel (over 1000 pages!) I decided to give it a chance and this time it stuck. I've complained about Norweigian Wood not feeling very Japanese because of all its literary and musical references. However, 1Q84 struck me as being very Japanese despite having similar literary and musical references to Western music and media.
1Q84 strikes me as being in the same sensibility as Weathering With You or Your Name. Both Japanese movies have male and female protagonists who are separated in time or space, and who live in an alternate world/timeline where fantastical events/circumstances can happen. As with those movies, there's no explanation, no rationality for why these fantastical elements exist, but it does, and the connection between the protagonists are very light, almost to the point of randomness.
Aomame is a female assassin (one who is dispatched to silently kill men who abuse women). Tengo is a cram school math teacher who's trying to write a novel on the side. The link between them was that they went to elementary school together, and Tengo showed Aomame kindness at one point in 5th grade.
The plot starts when Aomame discovers that the world she's living in is subtly shifted from what she's grown up with --- the police are carrying different weapons, there's discussion about a moon base, and intriguingly, there are two moons in the sky, but she appears to be the only one who sees the second moon.
The chapters in the novel alternate between Aomame and Tengo, though in the last 3rd of the book a 3rd viewpoint is introduced. We gradually see the two threads come together. The pace of the book is slow, and especially in the last 3rd, you wonder if Harukami is deliberately prolonging the book as though he's getting paid by the word. Most of the supernatural stuff is unexplained --- you're just asked to accept it. The characters' resolutions are satisfying, though the 3rd viewpoint near the end of the book seems superfluous.
I read the book to the end, and to be fair the resolution of the alternate world hypothesis was strongly hinted at all through the novel, and you come to the end of the novel and are not surprised by the ending and thinking that it was an unfair mystery. The book definitely could have been much tighter edited and a lot of the extraneous stuff felt more or less superfluous, or "inefficient" as Harukami would describe in his essays.
Still, any 1000 page novel that can get me to finish it in a couple of weeks is probably of above average quality.
Friday, September 05, 2025
July 1: Madulain to Bergun
Thursday, September 04, 2025
Review: Ortlieb Saddlebag 4 liter
I'd been using the old style Ortlieb mini handlebar bag. While it's satisfactory for most of my purposes, it had several drawbacks, chiefest of which was that by using the front of the handlebar, you have to find alternative locations for your front light. When you add up the bag, the bag mount, and the additional accoutements to mount the front light, it's actually substantial weight. On the tandem it doesn't matter, but on my single bike I really would prefer as light a setup as possible, while still making it possible to mount a radar tail light.
The only model I could find that fit all those requirements was the Ortlieb Saddlebag 4L. I ordered one and discovered to my dismay that the mount didn't fit the Ritchey WCS saddle! Fortunately, Pamela Bayley had sold/given me a smaller Ortlieb seatbag and that one came with a mount that worked. (I would later replace the screws that came with the newer bag with ones that work) Since all Ortlieb saddlebag mounts are cross compatible it was no issue to use them. My complaint about this design is that it's unnecessary --- I would much rather have had velcro wings which would have been less finicky.
The saddlebag slides onto the mount, and ties to the seatpost using a velcro strap. I was worried that I would feel the saddlebag with my thighs while riding, but to my surprise this turned out to be a non-issue. The drybag style flap clips off to the side and by tightening the straps it becomes narrow enough that thighs clear the saddlebag with no problems. One disturbing thing about the bag is that invariably there's sufficient air in the saddlebag to make it bulge a little, so sometimes it takes a couple of tries to get the air out. A valve would have been useful though that would have increased the weight. As a result of this air, sometimes that bag will rattle especially if it's not completely full.
When I go on a really lightweight ride, I replace this saddlebag with a mini bag that uses the same mount and has much less volume. It's little enough effort to switch that I do it as a matter of course. But for bay area riding the 4L bag is what you want: you can put in a windshell, arm and leg warmers, and snacks and tools for an extended ride while still having room for your radar. If you pack really light it might even suffice for an overnighter, though that's not in the cards for me as I would need to pack a CPAP machine and this bag just doesn't have sufficient volume for that.
For commuting, this bag will NOT fit any laptops. But bikepacking style saddlebags won't fit any laptop anyway. For carrying a laptop you still want the traverse style saddlebag.
The bag is a little expensive but it did everything I wanted it to do. Recommended.
Wednesday, September 03, 2025
June 30th: Zernez to Maudalin
Tuesday, September 02, 2025
June 29: Pontresina Panaromic Hike

Friday, August 29, 2025
June 28: Trafoi to Livigno (with bus transfer from Santa Maria Val Mustair)
Thursday, August 28, 2025
Review: Novelist as a Vocation
I enjoyed Norwegian Wood enough to check out what Haruki Murakami thought about his career as a novelist. Novelist as a Vocation is an original, unique work on the topic. Murakami is humble enough not to prescribe his working style to anyone else, and his unique life means that he has a lot to offer in his thoughts.
The early essays focus on his start as a novelist, and how one day he decided to write a novel, hand-wrote a manuscript over a few months, and then decided it was trash. He then gave up pen and paper and got out a typewriter and rewrote the story in English, not his native language. He claimed that this experience forced him to use simplified language and short words, and after he was done he translated the chapter(s) into Japanese and finished the novel that way, winning a literary price. What a unique experience and insight! By the way, this probably explains why Norwegian Wood didn't feel very much like a Japanese novel. The guy is completely steeped in Western literature, music, and even culture!
His thinking about writing a novel is that a novel is a uniquely inefficient way to get a message across:
Someone whose message is clearly formed has no need to go through the many steps it would take to transpose that message into a story. All he has to do is put it directly into words—it’s much faster and can be easily communicated to an audience. A message or concept that might take six months to turn into a novel can thus be fully developed in a mere three days. Or in ten minutes, if the writer has a microphone and can spit it out as it comes to him. Quick thinkers are capable of that kind of thing. The listener will slap his knee and marvel, “Why didn’t I think of that?!” In the final analysis, that’s what being smart is really all about. (kindle loc 225)
I love that rather than the moaning and groaning about how hard writing is, he talks about how writing was never hard for him. He basically works on the side as a translator of English books, and only writes when the urge consumes him:
I never write unless I really want to, unless the desire to write is overwhelming. When I feel that desire, I sit down and set to work. When I don’t feel it, I usually turn to translating from English. Since translation is essentially a technical operation, I can pursue it on a daily basis, quite separate from my creative desire; yet at the same time it is a good way to hone my writing skills—were I not a translator, I’m sure I would have found another related pursuit. If I am in the mood, I may also turn to writing essays. “What the heck,” I defiantly tell myself as I peck away at those other projects. “Not writing novels isn’t going to kill me.” (kindle 956)
There are some interesting things that betray Murakami's protestations about his character. Early on in the book he has an entire chapter devoted to how he was glad he didn't win this prestigious prize for upcoming new writers. Later, he writes about how the Japanese criticism of his work led him to leave Japan to write Norwegian Wood so that he didn't have to listen to the critics while he was writing. Clearly the guy is much more sensitive to criticism than he lets on.
I love that his writing habits is to do a certain number of pages a day, and then stop. No more and no less. He also has a devotion to physical fitness, having run an hour a day for almost his entire working life. This of course disturbs the common image of a writer:
I have the sense that no one is hoping that a writer lives in a quiet suburb, lives a healthy early-to-bed-early-to-rise lifestyle, goes jogging without fail every day, likes to make healthful vegetable salads, and holes up in his study for a set period every day to work. I have the anxious sense that all I’m doing is throwing a damper on people’s sense of the romantic. (kindle loc 1624)
Finally there's a great implicit criticism of Japanese academic approach to schools and teaching. Murakmi always refers to himself as being a mediocre student who effectively dropped out of school (he did finish his degree but over a period of years) to start a Jazz cafe. His criticism of Japanese schools will give you much to think about if you were to apply it to the Bay Area parenting hothouse culture:
There were lots of kids who had better grades on English tests than me, but as far as I could tell, none of them could read a book in English from cover to cover. Yet I could easily plow through an entire book. Then why were my grades in English class so mediocre? The conclusion I came to was that the goal of English classes in Japanese high schools was not to get students to use actual, living English. Then what was the goal? There was only one: for students to get high marks on the English section of the college entrance exams. At least for the teachers in the public high school I attended, being able to read books in English or have ordinary conversations with foreigners was beside the point... This goes beyond English, or the study of foreign languages. I can’t help thinking that in almost every subject, Japan’s educational system fundamentally fails to consider how to motivate each individual to improve their potential. Even now the system seems intent on going by the book to cram in facts and teach test-taking techniques. And teachers and parents live and die by how many of their students and children get into various universities. It’s all kind of sad. When I was in school my parents and teachers always warned me, “You’ve got to study as hard as you can while you’re in school. Otherwise when you grow up you’ll regret not having studied more when you were young.” But after I left school I never thought that, not even once. For me it was more regret that I hadn’t done more things I enjoyed doing. Being forced to do that kind of rote memorization, I felt, wasted my life. (kindle loc 1774-1798)
All in all, the book is short, but full of stuff worth reading. I certainly found it more enlightening or maybe even enjoyable than his fiction!